Wednesday, October 31, 2007
Member since:
July 2006
July 2006
This list is from MSN movies...
http://movies.sympatico.msn.ca/features/article.aspx?cp-documentid=429955
10. "Eraserhead" (1977)
David Lynch's cult classic is the closest thing to being stuck in a nightmare: Not much makes sense, but you get the feeling that nothing is quite right. Lynch employs dinners that walk off the plate, eerie silences that become deafening and an infant that makes Rosemary's baby seem cute and cuddly. So chilling it's damn near unwatchable.
9. "The Exorcist" (1973)
The real terror of "The Exorcist" may not involve Satan and possession, but the helplessness of a parent trying to save a child. Of course, a ton of harrowing special effects and director William Friedkin's somber respect for the supernatural subject matter doesn't hurt either. It's horror for grown-ups.
8. "Halloween" (1978)
John Carpenter's film is blamed for the rash of slasher films that destroyed the genre in the '80s, but "Halloween" possesses a style and intensity that most of its copycats lack. From the opening sequence -- when we see through the eyes of little boy Michael Myers as he stalks and murders his sister -- onward, the film relies on suspense rather than sensationalism. Our fear is caused by what might happen rather than actual events, as Carpenter spends a good amount of time in darkness, making us see things that may or may not be there.
7. "Don't Look Now" (1973)
Donald Sutherland and Julie Christie head to Venice to forget the tragic accidental death of their child. However, it's impossible to forget when the dead child keeps reappearing. Nicolas Roeg's labyrinthine film is rich in dreamlike atmosphere and works on a purely psychological level: It disorients, frustrates and builds to a horrible climax, reminding that tragedy can never be forgotten ... and neither can this film.
6. "The Texas Chainsaw Massacre" (1974)
A group of annoying teens make a wrong turn on a road trip through Texas and encounter the most dysfunctional family imaginable. It's a teen exploitation flick shot like a documentary. Wonderfully grim, mean and inhumane, director Tobe Hooper's debut doesn't spill much blood, instead opting to giddily, relentlessly torture and chase its audience (much like Leatherface treats his victims) for 80 minutes. It feels like days.
5. "Nightmare on Elm Street" (1984)
Before dream-killer Freddy Krueger became a quipping pop-culture reference, he represented the most twisted monster unleashed on the public since Halloween's Michael Myers. Seeking vengeance by slicing and dicing the children of the parents who murdered him, Freddy scared the hell out of Cineplex audiences. His on-screen entrance remains terrifying, as does much of director Wes Craven's surreal, smart and shocking masterpiece.
4. "Suspiria" (1977)
"Suspiria" is a full-on sensory assault by Italian horror master Dario Argento, the cinematic equivalent of an anxiety attack. A poor American ballet student arrives in Europe and Argento berates her with weather, grisly murders, a possible coven of witches, his virtuosic camera, and possible the freakiest score ever conceived (by the director himself). The plot barely makes sense, so just let it terrorize you.
3. "Night of the Living Dead" (1968)
A group of kids get trapped inside a farm house by an endless stream of flesh-eating zombies. Sounds silly, but director George Romero takes his simple premise and redefines the genre with a shoestring budget. The amount of sadistic gore, the claustrophobic tension, the rising levels of hysteria and an increasingly deflated awareness that a happy ending is impossible make this a nasty classic. There is no hope here, only suffocating terror.
2. Repulsion (1965)
Director Roman Polanski did more horror afterward, with "Rosemary's Baby" and "The Tenant," but this -- a menacing, nightmarish profile of one woman's descent into madness -- may be his most realized effort. Catherine Denueve embodies sexual repression as a young woman left alone in her apartment -- and to her deluded fantasies -- for the weekend. The film is nearly silent, creating a mounting mood of dread. Try watching it alone with the lights off and see how long you last.
1. "Psycho" (1960)
Alfred Hitchcock's blueprint for contemporary horror: More than just a film, "Psycho" was a cultural slap in the face. Censors wanted to ban it, while screaming audiences couldn't get enough of it. Hitch employs all of his tricks -- shifting audience sympathies, killing off the main character halfway through the film and a ton of macabre humor -- but more importantly he makes the horror internal. Norman Bates isn't a monster in the classic sense he suggests that the greatest evil can lurk beneath the quietest, most pleasant surface.
http://movies.sympatico.msn.ca/features/article.aspx?cp-documentid=429955
10. "Eraserhead" (1977)
David Lynch's cult classic is the closest thing to being stuck in a nightmare: Not much makes sense, but you get the feeling that nothing is quite right. Lynch employs dinners that walk off the plate, eerie silences that become deafening and an infant that makes Rosemary's baby seem cute and cuddly. So chilling it's damn near unwatchable.
9. "The Exorcist" (1973)
The real terror of "The Exorcist" may not involve Satan and possession, but the helplessness of a parent trying to save a child. Of course, a ton of harrowing special effects and director William Friedkin's somber respect for the supernatural subject matter doesn't hurt either. It's horror for grown-ups.
8. "Halloween" (1978)
John Carpenter's film is blamed for the rash of slasher films that destroyed the genre in the '80s, but "Halloween" possesses a style and intensity that most of its copycats lack. From the opening sequence -- when we see through the eyes of little boy Michael Myers as he stalks and murders his sister -- onward, the film relies on suspense rather than sensationalism. Our fear is caused by what might happen rather than actual events, as Carpenter spends a good amount of time in darkness, making us see things that may or may not be there.
7. "Don't Look Now" (1973)
Donald Sutherland and Julie Christie head to Venice to forget the tragic accidental death of their child. However, it's impossible to forget when the dead child keeps reappearing. Nicolas Roeg's labyrinthine film is rich in dreamlike atmosphere and works on a purely psychological level: It disorients, frustrates and builds to a horrible climax, reminding that tragedy can never be forgotten ... and neither can this film.
6. "The Texas Chainsaw Massacre" (1974)
A group of annoying teens make a wrong turn on a road trip through Texas and encounter the most dysfunctional family imaginable. It's a teen exploitation flick shot like a documentary. Wonderfully grim, mean and inhumane, director Tobe Hooper's debut doesn't spill much blood, instead opting to giddily, relentlessly torture and chase its audience (much like Leatherface treats his victims) for 80 minutes. It feels like days.
5. "Nightmare on Elm Street" (1984)
Before dream-killer Freddy Krueger became a quipping pop-culture reference, he represented the most twisted monster unleashed on the public since Halloween's Michael Myers. Seeking vengeance by slicing and dicing the children of the parents who murdered him, Freddy scared the hell out of Cineplex audiences. His on-screen entrance remains terrifying, as does much of director Wes Craven's surreal, smart and shocking masterpiece.
4. "Suspiria" (1977)
"Suspiria" is a full-on sensory assault by Italian horror master Dario Argento, the cinematic equivalent of an anxiety attack. A poor American ballet student arrives in Europe and Argento berates her with weather, grisly murders, a possible coven of witches, his virtuosic camera, and possible the freakiest score ever conceived (by the director himself). The plot barely makes sense, so just let it terrorize you.
3. "Night of the Living Dead" (1968)
A group of kids get trapped inside a farm house by an endless stream of flesh-eating zombies. Sounds silly, but director George Romero takes his simple premise and redefines the genre with a shoestring budget. The amount of sadistic gore, the claustrophobic tension, the rising levels of hysteria and an increasingly deflated awareness that a happy ending is impossible make this a nasty classic. There is no hope here, only suffocating terror.
2. Repulsion (1965)
Director Roman Polanski did more horror afterward, with "Rosemary's Baby" and "The Tenant," but this -- a menacing, nightmarish profile of one woman's descent into madness -- may be his most realized effort. Catherine Denueve embodies sexual repression as a young woman left alone in her apartment -- and to her deluded fantasies -- for the weekend. The film is nearly silent, creating a mounting mood of dread. Try watching it alone with the lights off and see how long you last.
1. "Psycho" (1960)
Alfred Hitchcock's blueprint for contemporary horror: More than just a film, "Psycho" was a cultural slap in the face. Censors wanted to ban it, while screaming audiences couldn't get enough of it. Hitch employs all of his tricks -- shifting audience sympathies, killing off the main character halfway through the film and a ton of macabre humor -- but more importantly he makes the horror internal. Norman Bates isn't a monster in the classic sense he suggests that the greatest evil can lurk beneath the quietest, most pleasant surface.
Wednesday, October 31, 2007
Member since:
October 2004
October 2004
**3. "Night of the Living Dead" (1968)
A group of kids get trapped inside a farm house **
A group of kids? Say what?
Is the writer thinking of the correct movie?
A group of kids get trapped inside a farm house **
A group of kids? Say what?
Is the writer thinking of the correct movie?
Wednesday, October 31, 2007
Member since:
March 2002
March 2002
Yeah, it was a group of people of all ages. You know, kind of like a family movie. It would have been good enough for a Disney movie had it not been for all those damn zombies!
Wednesday, October 31, 2007
Member since:
March 2002
March 2002
Yep, don't look like kids to me:
Wednesday, October 31, 2007
Member since:
July 2006
July 2006
I thought Exorcist and Halloween would get higher ratings than Night of the Living Dead.
Wednesday, October 31, 2007
Member since:
August 2005
August 2005
Any best-of-horror list lacking Ridley Scott's Alien is not a best-of by any means, in my book.
Wednesday, October 31, 2007
Member since:
October 2007
October 2007
I think Exorcist 3 was scarier than the original
Also, all of David Lynch's films are horror films. (Except for that lawnmower one)
[Post edited by bubbachair on Oct 31, 2007]
Also, all of David Lynch's films are horror films. (Except for that lawnmower one)
[Post edited by bubbachair on Oct 31, 2007]
Wednesday, October 31, 2007
Member since:
October 2007
October 2007
What you mean Casper meets Wendy did not make the cut? LOL
Wednesday, October 31, 2007
Member since:
March 2002
March 2002
Quote:
Also, all of David Lynch's films are horror films. (Except for that lawnmower one)
You have no clue what David Lynch films are! He may present a mute theme that feels like horror but they are far from the classic defenition of it. The guy presents his dreams and I mean that in the most literal sense. Anyone's dreams can be so bizzar that they hang on the sense of what might feel like horror, but they are just strange dreams. That's all Lynch presents and that's what's fun about his films -- they make no sense but nither do your own dreams.
Thursday, November 1, 2007
Member since:
October 2007
October 2007
Tim, I was joking. I am a HUGE David Lynch fan. I went to see his Inland Empire movie at the Dallas film festival some months ago. I got to meet him when he introduced the film and was taking questions about his work. It was a dream come true for me. (Not so much for the wife) You are right, when you watch his movies, you feel like you are in one of his bizarre dreams. I am sold on the fact that he talks in his sleep and records himself 
Waiting for his movies on HD DVD. Get to see Naomi Watts and Sheryl Lee in HD! Gotta love it!
Waiting for his movies on HD DVD. Get to see Naomi Watts and Sheryl Lee in HD! Gotta love it!