I need some help with the untouchables!
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googleback
March 2008
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View profile »this is my first forum post so be gentle!
I'm a film student studying! and i quote...
ahem
"THE EVOLUTION OF PROHIBITION ERA AMERICAN GANGSTER FILMS IN TERMS OF TECHNOLOGY AND ACTOR'S PERFORMANCE FROM "THE UNTOUCHABLES" TO "ROAD TO PERDITION" TO "PUBLIC ENEMIES"
that is seriously the title they freaking gave me! so... what i need is some help finding a book preferrably outlining the technology used in or around the time of The Untouchables.
I have no idea where to start... but it seems like a rich and interesting subject all the same!
OH GOD HELP ME!!!! p
InvisibleBiker
NED BRADEN : Slap Shot 1977
October 2007
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View profile »googleback
March 2008
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View profile »what I meant was the film making technology.
InvisibleBiker
NED BRADEN : Slap Shot 1977
October 2007
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View profile »John J. Puccio
March 2002
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John
googleback
March 2008
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View profile »what I need is to do with the 1987 Brian De Palma film.
I need to find out about the Technology they used to make that movie, rather than the tech of the time period.
some sort of book or an internet source would be fine.
if you can help mate i'd greatly appreciate it
googleback
March 2008
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View profile »John J. Puccio
March 2002
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In terms of the "evolution" of filmmaking, I suppose the question is whether there have been any improvements in the filmmaking process since 1987. Obviously, the big changes are in the use of computer CGI and digital cameras. I wouldn't say that digital cameras are an improvement, but they are an evolution. CGI when well used can be an asset, but in gangster films it's doubtful. "The Untouchables" used practically no CGI as we know it today. "Road to Perdition" used much, and "Sin City" used almost exclusively CGI for everything but the live actors. Ironically, perhaps, Michael Mann's "Public Enemies" used relatively little CGI, relying instead on actual location shooting and traditional props and makeup. I know a lot of reviewers criticized Mann for the dull, drab look of his film, but that's what he intended: He wanted to show the Midwest during the Great Depression as a dull, drab place, so that's what he got by shooting in real locations rather than doing it all in bright CGI graphics on a soundstage.
In terms of the evolution of actors' performances, I doubt there has been all that much change. A good actor in 1935--a Jimmy Cagney, Edward G. Robinson, Paul Muni, Humphrey Bogart--would be a good actor today. Has there been an evolution in De Niro's or Pacino's acting over the past thirty years? Probably not, except that they have both taken on a lot of bad scripts and bad directors that have made them look worse recently. Of course, acting styles change from era to era, but I wouldn't call that "evolution." It's simply a difference in filmmakers' attitude and intent.
Anyway, find yourself a book on CGI and digital photography in particular and see what you come up with.
John
[Post edited by John J. Puccio on Nov 13, 2009 - CST 4:41 PM]
googleback
March 2008
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View profile »And I liked the look of Public enemies, even though there was some GOD AWFUL green-screening as soon as depp steps in front of a bank vault.
still I really enjoyed it. ordered the blu ray of heat yesterday and i'm looking forward to that in surround sound.
once again, thanks for your help John. greatly appreciated
JJ79
January 2006
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