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Visually stunning "The Fall" on DVD & Blu-ray (Sept 9)

Tarsem's visual feast "The Fall" on DVD & Blu-ray Sept 9th. Winner of the Crystal Ball Award at the Berlin International Film Festival (2007).
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By Mondo Kane
FIRST ONLINE Aug 27, 2008

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Winner of the Crystal Ball Award at the Berlin International Film Festival (2007).

Presented by David Fincher and Spike Jonze, THE FALL is a 2006 film by Tarsem Singh, starring Lee Pace, Catinca Untaru, and Justine Waddell. It is based on the screenplay for the 1981 film Yo Ho Ho by Valeri Petrov.

Tarsem Singh Dhandwar, known professionally simply as "Tarsem," is an Indian director who has worked in film, music videos, and commercials. Tarsem began his career directing music videos, including R.E.M.'s smash hit "Losing My Religion," which won Best Video of the Year at the 1991 MTV Video Music Awards. He's also directed several commercials, including one for Nike. Tarsem's films are noted for their operatic elements: lush colors, desert landscapes, horses, extensive costume design and sets, exotic locations and lack of digital animation. [source: Wikipedia]

The director of The Cell (2000) has now created THE FALL - a surreal fantasy of love and revenge. Shot on location in 18 countries around the world, the film is an awe-inspiring, cinematic tour de force!

> VIEW THE TRAILER (in HD)
-Rated R for some violent images
-117 minutes (from Sony Pictures)

"A Must-See!" -Music City News
"Magnificent" -Roger Ebert

A LITTLE BLESSING IN DISGUISE.

Film Synopsis:
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastical story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.

From the director of The Cell comes a visually stunning epic fantasy about a bedridden man who entertains a curious little girl by telling her a fantastical story of exotic heroes and far off places which reflects his state of mind.

The central story takes place in a remote 1920's hospital where a small girl named Alexandria (Catinca Untaru) is recovering from a severe looking shoulder injury incurred in a fall while trying to pick oranges. One day she happens to meet Roy (Golden Globe® nominee Lee Pace)--a stunt or "gag" man for the "flickers" or moving pictures--who seems to have injured himself out of a future in a particularly reckless stunt, even for those times. He is a clearly unhappy man who--through his own carelessness--unwittingly leads Alexandria to believe that he intends to entertain her with a lavish, epic story of exotic heroes and far off places. As the stuntman's health reaches to the point of peril - so does the story he is telling her... with potentially fatal consequences.

DVD & Blu-ray Bonus Features:
* Audio Commentary by director Tarsem Singh
* Audio Commentary with actor Lee Pace, writer Dan Gilroy, and writer/producer Nico Soultanakis
* Deleted Scenes
* "Making of" Featurettes

ALSO - BD Exclusive:
* Enhanced Photo Gallery
* BD-Live Enabled

Available on DVD at a SRP $24.96,
and on Blu-ray for $38.96. See the Release Details further below for detailed info and cover art images.

______________________________

Review by film critic ROGER EBERT
(courtesy of the Chicago Sun-Times)
Rating: 4 out of 4

Tarsem's "The Fall" is a mad folly, an extravagant visual orgy, a free-fall from reality into uncharted realms. Surely it is one of the wildest indulgences a director has ever granted himself. Tarsem, for two decades a leading director of music videos and TV commercials, spent millions of his own money to finance "The Fall," filmed it for four years in 18 countries and has made a movie that you might want to see for no other reason than because it exists.

There will never be another like it.

"The Fall" is so audacious that when Variety calls it a "vanity project," you can only admire the man vain enough to make it. It tells a simple story with vast romantic images so stunning I had to check twice, three times, to be sure the film actually claims to have absolutely no computer-generated imagery. None? What about the Labyrinth of Despair, with no exit? The intersecting walls of zig-zagging staircases? The man who emerges from the burning tree? Perhaps the key words are "computer-generated." Perhaps some of the images are created by more traditional kinds of special effects.

The story framework for the imagery is straightforward. In Los Angeles, circa 1915, a silent movie stunt man has his legs paralyzed while performing a reckless stunt. He convalesces in a half-deserted hospital, its corridors of cream and lime stretching from ward to ward of mostly empty beds, their pillows and sheets awaiting the harvest of World War I. The stunt man is Roy (Lee Pace), pleasant in appearance, confiding in speech, happy to make a new friend of a little girl named Alexandria (Catinca Untaru).

Roy tells a story to Alexandria, involving adventurers who change appearance as quickly as a child's imagination can do its work. We see the process. He tells her of an "Indian" who has a wigwam and a squaw. She does not know these words, and envisions an Indian from a land of palaces, turbans and swamis. The verbal story is input from Roy; the visual story is output from Alexandria.

The story involves Roy (playing the Black Bandit) and his friends: a bomb-throwing Italian anarchist, an escaped African slave, an Indian (from India), and Charles Darwin and his pet monkey, Wallace. Their sworn enemy, Governor Odious, has stranded them on a desert island, but they come ashore (riding swimming elephants, of course) and wage war on him.

Roy draws out the story for a personal motive; after Alexandria brings him some communion wafers from the hospital chapel, he persuades her to steal some morphine tablets from the dispensary. Paralyzed and having lost his great love (she is the Princess in his story), he hopes to kill himself. There is a wonderful scene of the little girl trying to draw him back to life.

Either you are drawn into the world of this movie or you are not. It is preposterous, of course, but I vote with Werner Herzog, who says if we do not find new images, we will perish. Here a line of bowmen shoot hundreds of arrows into the air. So many of them fall into the back of the escaped slave that he falls backward and the weight of his body is supported by them, as on a bed of nails with dozens of foot-long arrows. There is scene of the monkey Wallace chasing a butterfly through impossible architecture.

At this point in reviews of movies like "The Fall" (not that there are any), I usually announce that I have accomplished my work. I have described what the movie does, how it looks while it is doing it, and what the director has achieved. Well, what has he achieved? "The Fall" is beautiful for its own sake. And there is the sweet charm of the young Romanian actress Catinca Untaru, who may have been dubbed for all I know, but speaks with the innocence of childhood, working her way through tangles of words. She regards with equal wonder the reality she lives in, and the fantasy she pretends to. It is her imagination that creates the images of Roy's story, and they have a purity and power beyond all calculation. Roy is her perfect storyteller, she is his perfect listener, and together they build a world.

Ebert notes: The movie's R rating should not dissuade bright teenagers from this celebration of the imagination.

Please Note - More details:
Be sure to check out the full details under related releases.

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