Up (Blu-ray)

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Thanks for the adventure. Now go have yourself a new one.

So a dying Ellie has written in her adventure scrapbook, one she had previously left blank in order to fill with pictures when she finally got to Paradise Falls, Venezuela like her hero, the explorer Charles Muntz. It was a dream shared by her childhood friend-turned-husband Carl, and in one of the most talked-about scenes from "Up," we see a wedding-day to funeral-day montage of a sweet and constant love between two adults who never lose the ability to dream. I don't know what's more poignant . . . her passing, her wishing him a new adventure rather than a life of mourning, or the fact that she had filled her adventure album with photos from their everyday life--their adventure. It's touching, too, and reminiscent of "It's a Wonderful Life," that they had bought and fixed up the abandoned house they once used for their pretend adventures as children. But the Disney-Pixar crew doesn't let this film wallow in weepy sentimentality. "Up" is a mostly upbeat adventure, and a comic one that ought to appeal to the entire family.

When Carl's house is surrounded by construction and he loses his temper after a mailbox he and Ellie painted together is struck by heavy machinery, he reflexively whacks a man over the head with his walker. The next thing you know he's in court, shades of Santa Claus in "Miracle on 31st Street," facing the charge of being a public menace. His sentence: Shady Oaks Retirement Village. But inspired by Ellie's dream of living in a house at the top of Paradise Falls and that change jar they kept throughout their lives for just that purpose, he devises a plan. Oh, the seeds had been planted in earlier montages, when we see the role that a balloon plays in his first finding Ellie, landing in the hospital, and having her communicate with him via balloon. And there's a balloon cart that an adult Carl has to keep pushing back down to earth as he sells them to kids. So why not strap a gazillion balloons to the house and let them pull him away from all of this? The scene where those thousands of real-looking CGI balloons are released and break the house free from its moorings is a triumph of animation.

Casting an old man as the hero in a cartoon adventure is positively inspired--although you'd almost expect it from the Pixar gang, who've been fascinated by old men since their very first short. Like the Oscar-winning "Geri's Game," about an old man who wiles away the time by playing checkers with himself, "Up" has plenty of old-age humor, balanced by whimsy. Thankfully, though, a 78 year old isn't the only source of humor. Far from it, in fact. Providing additional laughs are an eight-year-old Junior Wilderness Explorer Scout named Russell who talks a mile a minute and stows away on the airborne house; a dog named Dug who, like Russell, is undervalued and sent on a snipe hunt of his own; and a giant bird named Kevin who lives high on the mountains of Patagonia, in South America. And while those three characters carry the bulk of the jokes on their backs, other laughs come from a rather large and intimidating pack of dogs who TALK.

Disney has done a lot of brilliant things, but conceiving of a logical reason for animals talking, rather than just making them talk, is a regular Einstein move. In South America, when Carl and Russell encounter the aged Muntz, they discover that the explorer has devised a collar with a device that enables dogs to talk. Okay, so he's an explorer and not an inventor, but it oddly makes sense. And whether it's a dog collar gone haywire that makes the Alpha dog sound like he's on helium, or the dogs' reaction to the "cone of shame" (that pet owners know all too well when their dogs are kept from chewing on infected areas or new stitches), small laughs abound. They make those age jokes even funnier, somehow. One of the most memorable scenes is a climax between Carl and the villain who really isn't a villain but a man possessed. When both of them lift sword and walker to do harm to the other, you hear a back crack, then a cry of pain. Fun details like that make it hard not to warm up to "Up."

When I saw this film aboard a Disney cruise ship during its theatrical run, I liked it a lot, but felt a little jarred by the Patagonia sequence involving the explorer. It took a turn into wild adventure that I wasn't prepared for, mostly because the set-up centered on Carl's age and the tone previously was totally different. But I didn't see it as a problem the second time around. In fact, I'd be surprised if "Up" wasn't a shoe-in for a Best Animated Film Oscar. Director Pete Docter ("Monsters Inc.") was an animator for "Geri's Game" (1997), and so clearly he had the vision for this film that caused John Lasseter to hand him the balloon strings and fly with it. Co-directing is his co-writer Bob Peterson, who makes his directorial debut. But where does a director go after a debut like this?

"Up" is totally deserving of the praise it's received. The concept is fresh and original, the artwork and animation are incredible, the screenplay is packed with humor and adventure, the directors and editor have a nice sense of scene and pacing, and the voice talents do a phenomenal job. Leading the cast is Ed Asner, who gives voice to the crusty but vulnerable Carl Fredricksen, with Jordan Nagai giving voice to little Russell, Christopher Plummer playing the heavy, Peterson handling the voices for Dug and Alpha, and the director's daughter, Elie, providing the voice of the hilariously exuberant and slightly bullying Young Ellie. And, of course, Pixar good luck charm John Ratzenberger makes an appearance, this time as a construction foreman. Collectively, their deliveries, their inflections, and their level of emotional engagement couldn't be better, and the animators really managed to capture every nuance of their speech in facial expressions and gestures. It's one of the things, frankly, that sets Disney animation apart from the rest.