Fun With Dick And Jane

DVD - APPROX. 90 MINS. - 2005 - US Rating: PG-13
And the (crime) beat goes on!
Remains pretty true to its title: a simplistic, straightforward comedy that generates some real belly laughs at times, but bogs down at others.
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DVD REVIEW
By James Plath
FIRST PUBLISHED Apr 11, 2006

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Dick is an out-of-work Globodyne executive who can't get a job because of an Enron-like scandal. Jane is a travel agent who quit her job the day her husband's company collapsed. "Our lawn was repossessed today because we don't have any money," said Jane. What are they to do?

Rob, Dick, Rob. Drive the getaway car, Jane, Drive.

In 1977, we got Jane Fonda and George Segal in the original "Fun with Dick and Jane," concerning an aerospace industry exec who was a casualty of post-Apollo cutbacks. With their lawn repossessed, the pair turned to crime in a film that was successful mostly because of the antics between Fonda and Segal and an in-your-face anti-political correctness that was shockingly appealing.

In the remake, Jim Carrey and Tia Leoni click just as well, though the humor is less sophisticated and broader, to accommodate Carrey's manic improvisations. Still, I happen to think the new version—which also includes the lawn gag—has more laugh-out-loud moments than the original, as well as a situation that's more relevant, with a plot that almost makes their robberies an act of social retribution. There's no way that those Enron employees should have lost not only their jobs, but their pensions as well. Then to be unfairly stigmatized (nobody was dying to hire them after the scandal broke), it's actually a wonder that the real-life Dicks and Janes of the corporate world didn't hop in a beat-up car, get gussied up in costumes, and rob everything from convenience stores to banks. As Dick says, "We followed the rules, and we got screwed. We're good people, and we got screwed."

As the end credits roll, the first thing the filmmakers offer "special thanks to" are Ken Lay and Jeffrey Skilling of Enron, Bernard Ebbers of WorldCom, and other shell-game playing execs who duped the public and fleeced the employees of corporations such as Tyco, Adelphia, ImClone, Cendant, and HealthSouth. Arthur Andersen also gets a round of thanks for their complicity. Make no mistake about it, this is a political film, with names named and fingers pointed. Even without seeing the credits, it's tough not to think of the Enron scandal. As Dick waits for an appointment with "the big guy," Bush is on TV, then it's the introduction to smooth-talking Frank Baacombe (Richard Jenkins) and the "Kenny Boy" nickname world of Jack McCallister (Alec Baldwin) who´s perched at the top of the corporate pyramid. If you still don't get that this is a populist film that attacks the corporate mischief that thrived under two terms of Republican rule, there's a Gore-Lieberman 2000 sign hanging in the background of one exterior scene to remind you. That's what makes this film relevant, and viewers will either appreciate the layer of complexity or resent it, depending upon your politics. But the comedy is pretty universal, incorporating sight gags, physical comedy, word play, and situation comedy.

The script for the new "Fun with Dick and Jane" was penned by Nicholas Stoller and Judd Apatow ("The 40-Year Old Virgin," "Celtic Pride"), but they drew from the 1977 screenplay as well. After Dick and Jane turn to their life of crime, part of the fun is watching them ham it up more with each new robbery attempt. In one, they dress like sci-fi ninjas, in another they wear Clinton masks, and in another they dress as Sonny and Cher (with Carrey playing the taller Cher!). There are some nice touches, too. The family maid, Blanca (Gloria Carayua) has a slight speech impediment that, added to her Spanish, is good for a few laughs. Unable to say "Richard," she calls Dick "Retard" and he responds, "Call me Dick." And that gag is expanded to include the couple´s young son, who likes to speak Spanish and, of course, does so with the same answer. That will become important later when Dick is trying to prove his American citizenship and has the authorities call home, only to hear young Billy (Aaron Michael Drozin) say, "Hola!"

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