...another wonder for the eye, especially in HD DVD, only this time darker and more mature, appropriate to Harry's growing up.
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This third entry in the "Potter" series is night-and-day different from the first two movies. So I suppose it's more fitting than ever that its new high-definition reproduction look and sound night-and-day different (better, in this case) than its standard-def transfer. It helps one enjoy the movie itself more than ever.
The combination of a new director (Alfonso Cuaron taking over from Chris Columbus), a darker look, and a trio of now older leads make for a movie quite unlike either of the initial entries. I enjoyed the first two "Potters," mind you, but I thought they were mostly about special effects, the wonders of visual excitement, more than about story or characters. They were, in effect, cute and fun and delightful to look at.
This third, 2004 release in the series, "Harry Potter and the Prisoner of Azkaban," is much more ominous and much more grown-up, so to speak, than the first two. That said, I wish it had more of a story to go with it. But we might lay that deficiency at the doorstep of the book's author, J.K. Rowling, as much as on director Cuaron. Rowling had certainly blossomed as a writer by the third "Potter" installment, but she still tended to be rather unfocused in her plot line, as the movie demonstrates, and wordier than ever, which the movie improves upon. Still, it takes Cuaron well over two hours to tell very little tale.
Yet the tone, mood, and atmosphere in number three are so much more imaginatively serious--even Hogwarts and its surroundings looking and feeling different--that it more than makes up for the thin narrative. Additionally, the three young leads have matured and become better actors, delivering more authoritative and realistic performances.
Although I liked this new one better than the first two "Potters," I still find it hard to give it the 8/10 I'd like because of those reservations about its not covering much story ground. "The Prisoner of Azkaban" feels like just what it is--a transitional tale, a bridge between the first two introductory books and the next ones to follow. Seen as a link in the progression of stories, "Azkaban" works well enough, but taken on its own, it feels rather unfinished and, ultimately, unfulfilling.
As I said before, I still think this latest "Potter" is the best so far, but I have to say it feels a little flat. The pacing is certainly one culprit, as the story doesn't really go very quickly in any particular direction; but also I attribute the story's lackadaisical nature to the fact that it has so little to say beyond a few character discoveries. The first two movies, while less developed in style and tone, told self-contained stories. They stood on their own. This latest one feels more like a brief anecdote than a fully evolved narrative; it's like a chapter in a book rather than a complete novel. The story is merely continuing the series with another episode in Harry's life of chronically dire predicaments and baleful scrapes, this time his trials with adolescence. I had the feeling as the movie was going on and again when it was over that while a lot of action occurred, nothing much actually happened.
On the other hand, I thoroughly enjoyed the new look. Hogwarts is gloomier than ever, no longer the place of childhood fancy but of genuine frights. And Hagrid's hut being farther from the castle and down a steep incline gives the movie a more visually diverse and appealing look, making Hagrid more of an outsider at the same time. I liked these touches.
At the time of the present story, Harry (Daniel Radcliffe) and his friends Hermione (Emma Watson) and Ron (Rupert Grint) are thirteen years old and ready for more adventures. The difficulty this time develops when Harry learns that Sirius Black (Gary Oldman), a wizard convicted of murder twelve years earlier, has escaped from Azkaban prison and may be out to kill him. That's really all there is to the plot. Sirius comes to Hogwarts, and after a few rousing escapades, they resolve the conflict. Then, it's time to wait for the next movie.
Still, the noir tone nicely complements the dark and troubled times in Harry's life as he enters his teens and has to make the transition from childhood to young adulthood. As a character study, the movie works well enough, with Harry having to face his worst fears (Sirius Black); learn who he is (the allusion to his father and the stag); cope with a newfound sexual awareness (hoping his uncle won't catch him playing under the covers with his wand); and deal with people who are "different" from others (Lupin's outing).
But, as I say, none of this character development has much of a story line to go with it, so the movie feels more unfinished than the previous ones. George Lucas had his young hero, Luke Skywalker, come to know himself, too, in "The Empire Strikes Back," while at the same time providing a compelling story. "Empire" went on to become the best "Star Wars" entry in the series, so the job can be done.
The other things I did like about "Prisoner of Azkaban," however, more than compensate for the movie's slender story. I liked the opening WB logo, reminiscent of Tim Burton's "Batman." I liked the humor of Harry's blowing up his obnoxious Aunt Marge (Pam Ferris) to gigantic balloon size and floating her out the doorway, a scene reminiscent of the one in "Willy Wonka" where the candy maker turns an obnoxious little girl into a giant blueberry. I liked the imaginative and exhilarating bus ride through the streets of London. I liked the "monster books" that go for your throat if you let them. I liked the ghostly dementors, the guards of Azkaban prison, who visit Hogwarts to find Sirius Black and who will suck the life out of anyone who gets in their way. I liked the gentle impishness of Michael Gambon, replacing the late Richard Harris as Professor Dumbledore. I liked the sad-eyed David Thewlis as Professor Lupin, whose condition makes his stay at Hogwarts difficult. I liked the goofiness of Emma Thompson as the medium, Professor Trelawney. I liked the always-dependable Timothy Spall as the ratty Peter Pettigrew. And I loved the fantastical new creation, Buckbeak the hippogriff, something like a griffin except half bird and half horse.
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