No doubt about it, Oscar and Felix have become cultural icons.
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No doubt about it, Oscar and Felix have become cultural icons. Neil Simon's popular stage play, "The Odd Couple," is still presented in theaters big and small all over the world. The movie was a smash success. The TV series reached into countless millions of homes. And there was a film sequel thirty years later. Of all these versions, however, it's still the original movie that best captures the essence of the characters and story. It's curious, then, that Paramount didn't afford so important a film a more expansive DVD package. This one is plain vanilla all the way. Fortunately, it's excellent vanilla, but there's not much beyond the movie.
When the film opened in 1968, it became so famous that people began talking about it as an accepted sociological pattern. My then-roommate and I were referred to as "the odd couple" because I had a rather finicky attitude toward keeping the apartment clean, while he was more than a bit careless. My wife told me after we'd watched the DVD that I reminded her of Felix. Times haven't changed much.
As the story begins, Felix Ungar (Jack Lemmon) is in despair because his wife of twelve years has left him. He's ready to commit suicide, only when he tries to jump out of a ninth-floor hotel room he can't get the window unstuck and throws his back out trying to open it. Felix's best friend, Oscar Madison (Walter Matthau), comes to his rescue by suggesting he room with him for a while. Oscar has a big apartment, he tells him; and, besides, he figures if Felix cooks their dinners rather than his having to go out to eat every night, he can save enough money to pay his ex-wife the alimony and child support he owes her.
The guys' new relationship lasts about five minutes before Felix starts getting on Oscar's nerves, forever tidying up, cleaning, and fussing about. He even disinfects the playing cards when their friends come over for their weekly poker game. Likewise, Oscar starts getting on Felix's nerves with his slovenly manner and general disregard for decorum. Felix is a persnickety hypochondriac, and Oscar is a dedicated slob. They are, indeed, an odd and very funny couple.
Matthau, with his perpetual hangdog look, would seem to have been born to the part of the high-paid sports writer who's continually down on his luck. His every utterance is marked by a droll resignation. What's more, he gets the best lines. When he learns that Felix, in desperation, has downed a whole bottle of unidentified tablets, he discounts the possibility of overdose: "Well, maybe they were vitamin pills; he could be the healthiest one in the room!" Later, he can't tell if Felix is choking or laughing: "You make the same sounds for pain and happiness." Lemmon, on the other hand, plays Felix, the fastidious television news writer, rather seriously, taking some of the comic edge off the piece and occasionally replacing it with an uncomfortable air of sadness. It isn't enough to dampen the film's overall humorous spirit, but it can be a momentary wet blanket.
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