Search Movie Database for

Pulse 3 (DVD)

APPROX. 90 MINS. - PROD. YEAR: 2008 - MPA RATING: NR

PULSE 3
" It’s unthinkable that any film with the word Pulse in the title could come right out of the gate practically dead on arrival, but that’s exactly what we have here.

DVD review

FIRST PUBLISHED Jan 3, 2009
By Tom Landy

Connect to Facebook/Twitter, recommend via email and much more.

Bookmark and Share


"You can't stop the invasion." -- Pulse 3

Well, I´ve gone and done it. I´m not one who normally comes up with New Year´s resolutions, but I´m making an exception here. From now on, I´m going to do my darnedest to stay clear of any film written and/or directed by Joel Soisson. You would think after over twenty years in the filmmaking business, the man would have actually learned some valuable tricks of the trade by now and climbed his way out of the B-movie gutter. Yet for some strange reason he´s still stuck in the quagmire of awful direct-to-DVD sequels. I´ve ranted about this back in October when I covered his atrocious Pulse 2: Afterlife, and I´m ranting about again now after sitting through the slightly worse (and hopefully final) conclusion to the franchise. It´s almost as if the original plan was one sequel at first and then at the very last minute someone did a hack job in order to turn out a trilogy. That´s really the only explanation I can fathom for this mess.

"Pulse 3" takes place roughly a decade after the horrific events that unfolded in the first half-baked sequel. Justine (Brittany Renee Finamore) is now a teenager living with her foster family in one of the safety zones. Still haunted by the ghosts of her past and thanks to the ban on electronics placed on her new environment, Justine has grown frustrated with her surroundings and is practically crawling out of her skin trying to find ways to occupy her time.

One evening while exploring a junkyard, Justine discovers an old abandoned laptop tucked inside the skeleton of a car--and this is where the film starts to derail. Justine presses the power button, and lo and behold she fires the computer up without a hitch. Well I´ll tell you this, the motherboard just went on my laptop not too long ago, and I was forced to pull out a spare one I have in the closet. It had only been sitting there for two maybe three years tops, but when I tried to start the machine the battery was completely dead. Now, the film doesn´t actually specify how long the computer was lying in its dormant state, but the way it was hidden and covered in dust it gave the impression that it had been there for a long, long time.

It just gets worse from there. Even though Justine has been raised knowing full well that the digital ghosts use wireless frequencies as a means of travel to our realm--which is why the safety zones have a permanent ongoing ban on computers, cell phones, and the like--the next thing she does is try to get online to see if the crisis is finally over. Justine roams the outskirts of town with the laptop in hand searching for a signal to get connected, and happens to find one in the middle of nowhere.

But wait, there´s more! When Justine gets online, she starts chatting with a stranger named Adam via instant messenger and the two hit it off. Adam also tells Justine that everything is hunky dory over in Houston, so she decides to run away and see for herself. But first, she needs a power supply so that she can charge the laptop and keep conversing with Adam on her journey. Naturally, she scours the junkyard and finds one with the right jack and correct wattage for her newfound toy. Wouldn´t it have been easier and more logical to have her find the power supply *with* the laptop? That´s where I keep mine, but maybe that´s just me.

Justine wanders the rest of the movie towards Houston slower than an ancient sloth with arthritis, taking a break now and then to chat with Adam along the way. And just like a lost puppy, the mysterious WiFi signal manages to follow her wherever she goes for crying out loud. I highly doubt these scripts were typed up on a telegraph machine or a typewriter in today´s technological age, so there´s really no rhyme or reason for this ignorance of common sense. If the entire basis of your plot rides on a computer, then the least you can do is get your facts straight and do research if you don´t know how things work. This isn´t being lazy anymore like I suggested in my first review. It´s downright incompetent.


Amazon.com (USA):

AXEL Music (Europe):

Get this site ad-free »