Terminator 2: Judgment Day [French Import]

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"Watching John with the machine, it was suddenly so clear. The Terminator would never stop. It would never leave him, and it would never hurt him, never shout at him or get drunk and hit him or say it was too busy to spend time with him. It would always be there, and it would die to protect him." --Linda Hamilton, "Terminator 2"

There is no doubt that James Cameron's 1991 "Terminator 2: Judgment Day" was a landmark film in the development of special effects, but more important it was a landmark film in establishing a truly touching relationship in an all-out action flick. For that reason alone I would place it in the front ranks of great action films, maybe among the best two or three of all time. Just don't run out and try to buy the HD-DVD version of it at your local video store. The one under review here is a two-disc French import from Studio Canal, containing both the theatrical version and the Director's Cut of the movie in 1080p.

As of this writing the film is only available in high definition in the United States on Blu-ray, which my colleague Dean Winkelspecht reviewed earlier. Fortunately for HD-DVD fans, however, there are a number of HD-DVD movies available in Europe that in the U.S. you can only find on Blu-ray; and among the various places you can find these elusive import HD-DVDs are Amazon.com, France, and xploitedcinema.com. For a list of many current HD-DVD releases worldwide, you might also check out Microsoft's Web site under "Music and Video/HD-DVD" and go from there.

The nice thing is that (again, as of this writing) there is no region coding enforced on the discs. European HD-DVDs will work in American players and vice versa. How long this situation will last I don't know, but for the time being it makes buying HD-DVDs a lot simpler. And as far as buying HD-DVD import discs from Europe, if my experience is any indication, it's pretty easy, too. It's a bit more expensive than you would pay in the U.S. for an HD disc when you include the postage, but when you face the choice of paying a little more or not having something at all, the few extra dollars may be worth it.

First, let's talk about the movie. You will remember from the initial film in the trilogy, "The Terminator," that the first terminator cyborg failed to change history. Its makers had sent it back from the future to kill the one person, John Connor, who would eventually stop the machines from taking over the world; they intended to kill him before he was ever born. In that movie, Arnold Schwarzenegger played the bad cyborg terminator, a career move that seemed pretty risky for the actor at the time but turned out to be the best thing he ever did.

In this second installment, the future machines send out another indestructible metal man, a T-1000 (Robert Patrick), to kill Connor (Edward Furlong), by now a teenager. And in yet another of Big Arnold's fortuitous career moves, he plays a second terminator sent back from the good-guy humans of the future to protect young John and his mother (Linda Hamilton). Now, you understand that if it were just the Schwarzenegger cyborg against any old cyborg, it would be no contest. So, the new evil robot is more technologically advanced. It has the ability to imitate in molten metal any nonmechanical object it sees, so Arnold's rather old-fashioned T-800 model is up against a seemingly hopeless situation in this terminator-vs-terminator confrontation. But it's Arnold. What more do you need? This is the guy who not only made two great "Terminator" pictures and third OK one, but became governor of California in the process. The guy can transform himself into anything and beat the odds.

When Arnold shows up in the present (what would we do in science fiction without time travel?), he found that John Connor's mother had raised him to believe that robots would soon destroy the world, and that he would have to lead the war against the machines. However, people thought his mother was nuts and committed her to a mental institution, leaving young John in the care of foster parents, which is where our present movie begins. John had never believed his mother until the two terminator robots show up, and he finally realizes that his mother was right all along.

Here's the thing: Left to its own devices as a pure action flick, "T2" works commendably well. It has all the fast-paced fighting, explosions, chases, and the like that mark an engrossing actioner. But it has something more: It has heart. The T-800, without feeling, without the knowledge of good or bad, love or hate, nevertheless becomes an effective paternal figure for the rebellious young man who has never known his real father. When the picture comes to its finale, I guarantee it will move even the most flint-hearted souls.

What's more, "Terminator 2" was a pioneering film in the development of computer-generated imagery. It was not the first film to use CGI, mind you; filmmakers had used computer effects for a decade or more previously. But it was the first film most of us remember using them to such an extent that we literally oohed and aahed about them. It would be almost two more years before "Jurassic Park" would augment the world of CGI further, and the rest is history.

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